- line 7
- portrait 6
- auction 2
- matisse 1
- charcoal 1
- de-laszlo 1
- paris 1
- oil 1
- cognac 1
- still-life 1
- neolucida 1
- morandi 1
- tonnis 1
- botticelli 1
- muybridge 1
- figure 1
- motion 1
- sargent 1
- da-vinci 1
- raphael 1
- schjerfbeck 1
- color 1
line
Schjerfbeck, green then black
Left: my tracing, green then black. Right: Helene Schjerfbeck, Self-Portrait, 1895, oil on canvas — Ekenäs Museum Center EKTA, Ekenäs (Tammisaari), Finland. Public domain.
La Scapigliata and Raphael’s Prato
Left: my tracing. Right: Leonardo da Vinci, La Scapigliata (“Lady with Dishevelled Hair”), c. 1506–1508, oil, umber and white lead on poplar panel, Galleria Nazionale di Parma — public domain.
Sargent’s Violet, in pencil
Left: my tracing. Right: John Singer Sargent, Violet Sargent, c. 1883, graphite on off-white wove paper, 18 13/16 × 13 15/16 in. (47.8 × 35.4 cm), The Metropolitan Museum of Art — public domain.
Muybridge’s Waltz, reduced to gesture
My tracing of Eadweard Muybridge’s Animal Locomotion, Plate 195, “Nude woman dancing a waltz,” 1887 — reduced to weighted gesture lines. Source plate linked, not reproduced (see note below).
Botticelli’s Idealization Simonetta Vespucci
Left: my tracing. Right: Sandro Botticelli, Ritratto di giovane donna, c. 1480–1485, mixed technique on poplar wood, Städel Museum, Frankfurt am Main — public domain.
Christiaan Tonnis’s Female Warriors
Left: my tracing. Right: Christiaan Tonnis, Female Warrior #14 “Extinction”, pencil and colored pencil on paper, 1981 — CC BY-SA 2.0, via Wikimedia Commons.
Matisse’s Lydia: hard line and smoky tone
Left: my tracing of Matisse’s charcoal study of 19 November 1935 (not shown — no open reproduction of that exact sheet exists; see below, and a related but different Matisse charcoal of Lydia from the same year for reference). Right: Portrait au manteau bleu, December 1935, oil on canvas — Wikimedia Commons, public domain.
portrait
Schjerfbeck, green then black
Left: my tracing, green then black. Right: Helene Schjerfbeck, Self-Portrait, 1895, oil on canvas — Ekenäs Museum Center EKTA, Ekenäs (Tammisaari), Finland. Public domain.
La Scapigliata and Raphael’s Prato
Left: my tracing. Right: Leonardo da Vinci, La Scapigliata (“Lady with Dishevelled Hair”), c. 1506–1508, oil, umber and white lead on poplar panel, Galleria Nazionale di Parma — public domain.
Sargent’s Violet, in pencil
Left: my tracing. Right: John Singer Sargent, Violet Sargent, c. 1883, graphite on off-white wove paper, 18 13/16 × 13 15/16 in. (47.8 × 35.4 cm), The Metropolitan Museum of Art — public domain.
Botticelli’s Idealization Simonetta Vespucci
Left: my tracing. Right: Sandro Botticelli, Ritratto di giovane donna, c. 1480–1485, mixed technique on poplar wood, Städel Museum, Frankfurt am Main — public domain.
Christiaan Tonnis’s Female Warriors
Left: my tracing. Right: Christiaan Tonnis, Female Warrior #14 “Extinction”, pencil and colored pencil on paper, 1981 — CC BY-SA 2.0, via Wikimedia Commons.
De László’s Doña Graziella, 1928
Over a crop of a Christie’s auction.
auction
De László’s Doña Graziella, 1928
Over a crop of a Christie’s auction.
Matisse’s Lydia: hard line and smoky tone
Left: my tracing of Matisse’s charcoal study of 19 November 1935 (not shown — no open reproduction of that exact sheet exists; see below, and a related but different Matisse charcoal of Lydia from the same year for reference). Right: Portrait au manteau bleu, December 1935, oil on canvas — Wikimedia Commons, public domain.
matisse
Matisse’s Lydia: hard line and smoky tone
Left: my tracing of Matisse’s charcoal study of 19 November 1935 (not shown — no open reproduction of that exact sheet exists; see below, and a related but different Matisse charcoal of Lydia from the same year for reference). Right: Portrait au manteau bleu, December 1935, oil on canvas — Wikimedia Commons, public domain.
charcoal
Matisse’s Lydia: hard line and smoky tone
Left: my tracing of Matisse’s charcoal study of 19 November 1935 (not shown — no open reproduction of that exact sheet exists; see below, and a related but different Matisse charcoal of Lydia from the same year for reference). Right: Portrait au manteau bleu, December 1935, oil on canvas — Wikimedia Commons, public domain.
de-laszlo
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still-life
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Christiaan Tonnis’s Female Warriors
Left: my tracing. Right: Christiaan Tonnis, Female Warrior #14 “Extinction”, pencil and colored pencil on paper, 1981 — CC BY-SA 2.0, via Wikimedia Commons.
botticelli
Botticelli’s Idealization Simonetta Vespucci
Left: my tracing. Right: Sandro Botticelli, Ritratto di giovane donna, c. 1480–1485, mixed technique on poplar wood, Städel Museum, Frankfurt am Main — public domain.
muybridge
Muybridge’s Waltz, reduced to gesture
My tracing of Eadweard Muybridge’s Animal Locomotion, Plate 195, “Nude woman dancing a waltz,” 1887 — reduced to weighted gesture lines. Source plate linked, not reproduced (see note below).
figure
Muybridge’s Waltz, reduced to gesture
My tracing of Eadweard Muybridge’s Animal Locomotion, Plate 195, “Nude woman dancing a waltz,” 1887 — reduced to weighted gesture lines. Source plate linked, not reproduced (see note below).
motion
Muybridge’s Waltz, reduced to gesture
My tracing of Eadweard Muybridge’s Animal Locomotion, Plate 195, “Nude woman dancing a waltz,” 1887 — reduced to weighted gesture lines. Source plate linked, not reproduced (see note below).
sargent
Sargent’s Violet, in pencil
Left: my tracing. Right: John Singer Sargent, Violet Sargent, c. 1883, graphite on off-white wove paper, 18 13/16 × 13 15/16 in. (47.8 × 35.4 cm), The Metropolitan Museum of Art — public domain.
da-vinci
La Scapigliata and Raphael’s Prato
Left: my tracing. Right: Leonardo da Vinci, La Scapigliata (“Lady with Dishevelled Hair”), c. 1506–1508, oil, umber and white lead on poplar panel, Galleria Nazionale di Parma — public domain.
raphael
La Scapigliata and Raphael’s Prato
Left: my tracing. Right: Leonardo da Vinci, La Scapigliata (“Lady with Dishevelled Hair”), c. 1506–1508, oil, umber and white lead on poplar panel, Galleria Nazionale di Parma — public domain.
schjerfbeck
Schjerfbeck, green then black
Left: my tracing, green then black. Right: Helene Schjerfbeck, Self-Portrait, 1895, oil on canvas — Ekenäs Museum Center EKTA, Ekenäs (Tammisaari), Finland. Public domain.
color
Schjerfbeck, green then black
Left: my tracing, green then black. Right: Helene Schjerfbeck, Self-Portrait, 1895, oil on canvas — Ekenäs Museum Center EKTA, Ekenäs (Tammisaari), Finland. Public domain.